Image credit: ZEE5, TollySerial Buzz, Zee Entertainment Enterprisesīut for the most part, these shows exalt the suffering of women. The narrative doesn’t reward Supu for being a conformist. However, the good thing is that Apu is the heroine who wins in life despite society having issues with her nature. This is supposed to make the audience see her as more virtuous.Īpu’s sister Supu, in fact, is like a foil to Apu’s feisty personality because she shrinks herself. Submissive and repressed women who are under-confident, like Shyama from Krishnakoli and Supu from Aparajita Apu, are the "good women.” Shyama wears a ghunghat all the time, and constantly undersells herself. Shyama in ‘Krishnakoli’ and Supu in ‘Aparajita Apu’ are proof that such shows paint timid women in a better light than they do spunky women The empowered woman shown in Bengali cinema is absent in the Bengali serials, which are increasingly going in the direction of Ekta Kapoors saas-bahu sagas.The westernised woman is demonised, while the poor village girl is patronisingly portrayed as a better person.The way dark-skinned women are represented is pretty stereotypical, both in ‘Krishnakoli and ‘Jibon Saathi.Youd think such shows are class-positive, but the man is always rich and the woman is always poor, be it in ‘Mithai, or in ‘Krishnakoli.Shyama in ‘Krishnakoli and Supu in ‘Aparajita Apu are proof that such shows paint timid women in a better light than they do spunky women.
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